邱德光|新作大平层豪宅杭州绿城卓越 · 傲旋城|样板间

建筑面积约430方的杭州绿城卓越傲旋城摩天大宅由台湾顶级室内设计大师邱德光亲自操刀，在巴洛克中式的装修主旋律上，注入New artdeco东方美学风格，以空间表达出生活的价值观。

With a construction area of about 430 square meters, Hangzhou Green City Excellence And Pride City skyscraper mansion was designed by Taiwan’s top interior design master Qiu Deguang. In the baroque Chinese decoration theme, New Artdeco Oriental aesthetic style was injected to express the values of life with space.

你曾试过用一整天记录一个空间、一座城市吗？凌晨五点半，天空被上帝之手镀了金，日光随着时间走、云随着风走。

Have you ever tried to document a space, a city, for a whole day? At half past five in the morning, the sky was gilded by the hand of God, the sun moved with the time, the clouds moved with the wind.

【下一刻会发生什么？】

这也是设计杭州绿城卓越 · 傲旋城室内空间的时候，萦绕于设计师邱德光心头的问题：摩天居所的【下一刻】、大平层的【下一刻】以及邱德光的【下一刻】。

This is also the question that haunts designer Qiu Deguang when designing the interior space of Hangzhou Green City Excellence · Aoxuan City: the next moment of skyscraper residence, the next moment of large flat floor and the next moment of Qiu Deguang.

邱德光|新作大平层豪宅杭州绿城卓越 · 傲旋城|样板间

壁炉打开时，渐变如朝霞，室内与风景相映成趣

When the fireplace is opened, it gradually becomes like the morning glow, which makes the interior and the landscape a pleasant contrast

240米，这个高度超过了杭州市中心的环球中心、钱江新城的华城国际大厦、万银国际等摩天楼。在住宅楼大多低于百米的杭州，绿城卓越 · 傲旋城是当之无愧的“最高”。

240 meters, this height exceeds the hangzhou downtown global Center, Qianjiang New City huacheng International Building, Wanyin International and other skyscrapers. Most residential buildings are below 100 meters in Hangzhou, green city excellence · Ao Xuan City is worthy of the “highest”.

项目朝东，想到云层自然联系到朝霞，恰与“下一刻会发生什么”的假想不谋而合。公共空间以天花造型界定功能的变化。

The project faces east, thinking of clouds naturally associated with the morning glow, which coincides with the hypothesis of “what will happen next moment”. The public space is defined by the shape of ceiling.

在楼层的高处，平视是厚重的云层，让人坠入朦胧；在人生境遇的高处，眼前是世俗堆叠的云层，惹人看不真切。于斯，对【下一刻】的畅想，亦是对“云”的畅想。

High up in the floor, the level view is thick clouds, let a person fall into the haze; At the height of one’s circumstances, there is a cloud of worldly things stacked before one’s eyes. My imagination of the next moment is also my imagination of the “cloud”.

雾化壁炉是整个公共空间的视觉焦点，其设计灵感取自云。关闭时，白色的渐变如云彩由淡转浓；而打开后，灯光为壁炉染上赭红，空间呈现出火烧云般的浪漫。此外，太阳光进入室内时也会为壁炉“着色”。

The atomized fireplace, the focal point of the public space, is inspired by the cloud. When closed, the white gradient is like a cloud from light to thick; And after opening, lamplight is fireplace contracts ochre red, the space presents the romance like burning cloud. In addition, the fireplace is colored by sunlight as it enters the room.

是以，设计更注重空间的可变性和享受的自由度。平面中动静区的比例接近1：1，尺度阔绰的动区几乎不设任何隔断，最多可容纳30-50人；客厅以一组双向沙发营造出两组社交场景，满足家人相聚、商务会客和朋友聚会等多元需求；书房作为客厅的补充功能，可融入欢愉的社交氛围，亦能由一组透明的门扇封闭，界定出不受打扰的办公或阅读环境。

Therefore, the design pays more attention to the variability of space and freedom of enjoyment. The proportion of dynamic and dynamic zones in the plane is close to 1:1. The large scale dynamic zone is almost without any partition, and can accommodate 30-50 people at most. In the living room, a two-way sofa creates two groups of social scenes to meet the diverse needs of family gathering, business visitors and friends gathering. Complementing the living room, the study blends in with a cheerful social atmosphere and is enclosed by a set of transparent doors that define an uninterrupted office or reading environment.

私区设三个媲美星级酒店的完整套卧，长辈房与儿童房、主卧围绕公共空间分开布置，避免代际生活差异带来的相互打扰；主卧套房的睡眠区、浴室、衣帽间比例接近1：1：1，生活挣脱了物质的垒叠和功能的负累，奢华由“极致享受”所定义。

The private area is equipped with three complete suites of bedrooms comparable to star hotels. The elder room, the children’s room and the master bedroom are arranged separately around the public space to avoid mutual disturbance caused by the difference in life between generations. Advocate lie the morpheus area of flatlet, bathroom, cloakroom scale is close to 1:1:1, the life broke free of the base of material fold and the negative tired of function, costly by “acme enjoys” place definition.

主卧套房总面积超过100㎡，衣帽间设男女分区。

主浴室延续极简质感。

The master suite has a total area of more than 100 square meters, and the cloakroom has male and female divisions.

Master bathroom continues minimalist texture.

如果说，别墅追求的生活是“出世”，隐逸于山野，追寻内心的宁静；那么，平层宅邸则讲求“入世”，隐逸于市井，悠游于繁华的城市图景与壮阔的自然山水，闹中取静。

If we say, villa pursuit of life is “born”, seclusion in the mountains, the pursuit of inner peace; Then, the flat floor mansion focuses on “joining the world”, seclusion in the market, leisurely swimming in the bustling city picture and magnificent natural landscape, quiet in the noisy.

玄关，《你应当重新成为孩子》 by T.K HOME。孩子如水滴，由环境所塑造。作品用一个“面貌不清”的人体喻指孩子，以云为衣、为翼，庇护童真、释放想象。

Porch, You Should Be a Child Again by T.Khome. Children, like drops of water, are shaped by their environment. The work uses an “obscure” human body as a metaphor for children, with clouds as clothes and wings to shelter innocence and release imagination.

餐厅与客厅的分界处，渐变玻璃围成壁炉，窗外的云雾奔涌入室，开阖间完成朝霞至暮霭的流转。

At the boundary between the dining room and the living room, gradual glass surrounds the fireplace. The clouds outside the window rush into the room, and the circulation of morning glow to evening haze is completed between and between.

书房与公共空间相连又能以瓦楞玻璃门隔开独立空间，临窗处设有一个窗边阅读的角落，家具来自德光居。

The study is connected to the public space and separated from the independent space by a corrugated glass door. There is a corner beside the window for reading. The furniture comes from Deguang Ju.

拨开“浮云”、抚平“皱纹”，贴着精神宇宙的地平线，童心再度启明，如日初升。

Dispelling the “floating clouds” and smoothing out the “wrinkles”, and sticking to the horizon of the spiritual universe, the childlike innocence is once again illuminated, like the rising sun.

“Grinning&Silver Tooth嬉笑”位于窗边，与艺术品、花器形成完整的氛围。随笔涂鸦的黑眼圈却点亮生活，在没有经过社会雕琢的孩子眼里，世间万物都有别样的意义。

“Smiling &Silver Tooth” is located at the window side, forming a complete atmosphere with artwork and flower ware. The dark circles under the eyes of scribbles light up life. In the eyes of children without social carving, everything in the world has a different meaning.

“Dimples酒窝”书椅、沙发，运用于书房，是连接现实世界与儿童梦想世界的强有力的纽带。

“Dimples” book chair, sofa, used in the study, is a strong link between the real world and children’s dream world.

“Smile :P”最早是邱德光出席活动时的随手涂鸦，创作灵感来自其女儿一家（钢牙、梨涡、嘟嘟嘴是家庭成员的标志符号）。经过两年时间，德光居将其系统化、立体化，希望用天真的微笑予以家治愈的力量。

“Smile :P” was first scrawled by Qiu Deguang when he attended an event, inspired by his daughter and her family (steel teeth, pear vortex and toot mouth are the symbols of family members). After two years, Deguang Ju systematized and three-dimensional, hoping to give the healing power of home with innocent smile.

双面沙发形成两组社交氛围，两花器来均自Jaime Hayon

The double-sided sofa creates two sets of social atmospheres, with two floral pieces from Jaime Hayon

尼采曾用骆驼、狮子、孩子来描述精神三境：骆驼，即被动的背负安排或服从规则；狮子，化被动为主动，适度颠覆规则；孩子，指新轮回，涅槃重生，以赤子之心重构规则。设计则以‘返童’作为空间的【下一刻】，像棋子超脱了棋局，像孩子创造了一个新的游戏——自我精神即是这‘世界’的意志。

Nietzsche used the camel, the lion and the child to describe the three spiritual states: the camel, that is, the passive arrangement or obedience to rules; Leo, turn passivity into initiative, moderately subvert rules; Child, means new rebirth, rebirth, reconstructing rules with pure heart. The design takes “returning to children” as the next moment of space, like a chess piece transcending the chess game, like a child creating a new game — self-spirit is the will of the “world”.

餐厅，前景为Alessandro Mendini的开瓶器

数字时代，信息的便捷性、工具的易得性、美育的普及性反复冲击着设计（尤其是室内设计）的专业壁垒。

Restaurant with Alessandro Mendini’s bottle opener in the foreground

In the digital age, the convenience of information, the availability of tools and the popularity of aesthetic education repeatedly impact the professional barriers of design (especially interior design).

云端、童趣的主题在空间方案之初便已确认，设计概念统领着空间、家具、饰品、艺术品，并最终指向传播，与开发商的“天空之宅（SKY HOUSE）”定位相匹。

The theme of cloud and children’s fun has been confirmed at the beginning of the space scheme. The design concept leads the space, furniture, ornaments and artwork, and ultimately points to the dissemination, matching the positioning of the developer’s “SKY HOUSE”.

所有家具高度受到严格限制，避免阻碍景观进入空间；天花的造型、壁炉的颜色、云椅等皆呼应“云”。

All furniture heights are strictly restricted to avoid obstructing views into the space; The color of the modelling of smallpox, fireplace, cloud chair all echo “cloud”.

空间以白色、金色为主调。白既是无，也是有，含纳万物、融合所有。金为不朽之色，滋养万物生命的阳光为金，是涅槃，生命之色。

The space gives priority to tone with white, aureate. White is both nothing and being, embracing and integrating all things. Gold is the color of immortality, the sun that nourishes all life is gold, nirvana, the color of life.