Copenhagen-based Australian architect – designer, Emily Broom, has unveiled the interior of Lullua Music Studio – a soft, textural paradise nestled in the heart of Berlin’s Charlottenburg. The studio for voice, music, and education stands as a “warm and restful environment to experience the joy of music”, says Broom. The beautifully layered scheme of natural materials and muted tones creates an introspective space, emulating a sense of pvailing calm we all are searching for in the current global madness.
总部位于哥本哈根的澳大利亚建筑师-设计师艾米丽·布鲁姆（Emily Broom）揭开了（Lullua Music Studio）的内部面的声音，这是一个柔软的纹理天堂，坐落在柏林夏洛滕堡的中心。布鲁姆说，语音，音乐和教育工作室是一个“温暖而宁静的环境，让您体验音乐的乐趣”。天然材料和柔和色调的精美分层方案创造了一个内省的空间，仿效了我们所有人在当前全球疯狂中寻求的一种普遍的平静感。
Lullua Music Studio breathes new life into a 120-year-old building that was once a pharmacy. Traces of its former life still linger, sensitively ushered into the contemporary design. Door frames retrain their former language, featuring beautiful stepped detailing. The interwoven relationship between past and psent continues into the bathroom, where original floor tiles bring colour and character to the room. A large trough style enamel basin nods to the historical voice of the interior. A natural stone shelf and custom-made oak mirror bring a touch of contemporary back into the room, creating a delicately balanced celebration of the two worlds.
（Lullua Music Studio）为这座曾经有药房的120年历史的建筑物注入了新的活力。它的前世痕迹仍然流连忘返，敏锐地融入了现代设计。门框重新训练了他们以前的语言，并具有美丽的阶梯式细节。过去与现在之间的交织关系一直延续到浴室，原始的地砖为房间增添色彩和特色。一个大槽式搪瓷盆向内部的历史声音致敬。天然石材架子和定制的橡木镜子为房间增添了现代气息，为两个世界创造了微妙的平衡。
A Reform kitchenette in ‘Iron’ linoleum sits in the corner of the rear studio; an essential feature that often would be quietly hidden away, becomes another opportunity for beautiful design. “It was important for us, that the kitchenette didn’t feel out of place in the rear studio and so we chose to celebrate it with the arched stone splash-back that becomes a piece of artwork and echoes the arched theme throughout the project”, says Broom.
在“铁”油毡改造厨房坐落在后方工作室的角落；一个基本的功能，往往会悄悄地隐藏起来，成为另一个美丽的设计机会。布鲁姆说：“对我们来说很重要的一点是，小厨房在后面的工作室里不会觉得不合适，所以我们选择用拱形的石头飞溅回来庆祝它，这成为一件艺术品，并在整个项目中呼应拱形的主题。”。
The designer goes on to explains the collective aim of her studio and client was to “create a peaceful space with hues that soothe and comfort, providing a sense of tranquillity conducive to learning”. Both parties placed great importance on incorporating natural materials and a sense of tactility into the design, a driving force that is easily recognised in the finished interior.
设计师接着解释说，她的工作室和客户的共同目标是“创造一种色调柔和，舒适，舒适的空间，提供一种有益于学习的宁静感”。双方都非常重视将天然材料和触感融入设计中，这种推动力很容易在成品内饰中识别。
Heavy woven-linen full-length curtains bring a softness to the space both aesthetically and acoustically. Sheer curtains line the front and rear windows of the classroom, their semi-translucent quality filtering sunlight into the space. Light jumps around the room, pooling beneath an open window, before bouncing off custom arched mirrors that hang from the wall. The glossy black C.Bechstein grand piano stands boldly against the natural oak floors and mushroom coloured walls. The muted scheme provides the perfect background for guests to become lost and enthralled in the joy of their craft.
厚重的亚麻编织全长窗帘在美学和声学上为空间带来柔软感。透明的窗帘排在教室的前后窗户之间，它们的半透明质量将阳光过滤到空间中。光线在房间周围跳跃，聚集在一个敞开的窗户下面，然后从挂在墙上的定制拱形镜子弹起。光滑的黑色C.Bechstein三角钢琴大胆地站在天然橡木地板和蘑菇色墙壁上。柔和的方案为客人迷失和沉迷于其工艺乐趣提供了完美的背景。
